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hen I was a kid, I d go into my dad s tool closet and take out a bunch of his tools, find the nearest electronic device, and proceed to take it apart. This didn t always make my parents too happy but at least they can rejoice in the fact that my son and daughter are doing the same thing on occasion to me! Looking inside something and figuring out what makes it tick is part and parcel of what we do as software developers, and just plain human beings. High-level abstractions and descriptions are often all we need, but diving into the nitty-gritty details is at other times exactly what we need. We ve been using Gears throughout this book, the database portion of it at least, but being able to peer into the databases themselves, unless you use the SQLite Manager add-on for Firefox, isn t something within our power. In this chapter we ll create an application that aims to alleviate that shortcoming! We ll build ourselves an application called SQLWorkbench, and in the process we ll see a few new things in Ext JS. By the end of this chapter we ll have a handy tool that will prove valuable when we re using Gears for local database storage.

animationLibrary. We will use the former method in our UsingMD2Animation example, accessing the mesh object from a property on the Loader3D object called handle by adding the following code inside the empty _onLoadSuccess() method: var mesh : Mesh = _loader.handle as Mesh; mesh.x = 100; var animationLibrary : AnimationLibrary = mesh.animationLibrary; Here, the handle property returns the Away3D model resulting from the parsing process. In this case, we want to cast the returned value to Mesh because we know that the MD2 format contains only a single mesh definition, and handle is cast by default as a generic Object3D object. Next, we need to extract our definition of the animation we wish to play from the retrieved AnimationLibrary object. MD2 files contain all keyframes of animation in a single block of data, but several different animation loops can be defined from within this data with the help of keyframe names. Each keyframe is assigned a name string that is read into the animation object during parsing. To discern between different animation loops, different keyframe name prefixes are used, with the remainder of the string usually used for the frame number of the loop (e.g., walk01, walk02, walk03, run01, run02, and run03). The MD2 parser automatically sorts frames into different animation loops according to their prefixes, then stores them in the AnimationLibrary object. Because we are dealing with vertex animation, the animation loops created are represented by VertexAnimator objects.

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If you use the Firefox browser and you do in all probability if you re a (smart) developer then I suggest getting familiar with the SQLite Manager add-on (http://code.google.com/p/ sqlite-manager/). This is an especially great tool if you are doing Gears development, as we are in this book. This add-on is a utility for peeking directly into the SQLite databases that Firefox uses under the covers to store user data, as well as the databases created by Gears in fact, any SQLite database you can name. SQLite Manager was created by developer Mrinal Kant. It is a fabulous piece of work that makes dealing with SQLite vastly easier than it otherwise would be. You have already seen it in action without realizing it: all those screenshots where table structures have appeared throughout this book are a result of taking a snapshot of the table structure browser the addon provides. Let s take a look at the full UI, though, shown in Figure 7-1.

MythMusic is a player for your audio files, including MP3 and AAC. It can also rip CDs and add them to your collection if you want, as well as take music off your hard disk and burn it to new CDs. Lots of people love MythMusic, and some people hate it. If you re not too keen on the look of MythMusic based on what you read in this section or decide you don t like it after using it for a bit, then you might consider trying the SoftSqueeze plug-in instead, which unfortunately we don t cover in this chapter. First, you configure MythMusic by visiting Utilities / Setup Setup Media Settings Music Settings. Here you will see general settings, player settings, and ripper settings. The general settings cover features such as where the audio files are stored, which device file to use for your CD drive, how to sort the music in your collection, and what filename format to use for ripped music (see Figure 9-41).

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